revising

Open Sesame: Great First Lines

Maybe be a little more creative...

Maybe be a little more creative…

Happy Monday, folks! This Monday has afforded me the dubious pleasure of starting work on my third round of revisions now that most of my beta-readers have gotten back to me with edits. Although I gotta say, so far work has been going very sloooowly. On the upside, I’ve been able to take a long hard look at the way my novel opens: first line, first paragraph, first chapter. And it’s got me thinking a lot about openings in general.

There are so many amazing first lines in literature. No two are the same, but all share one important feature: they hook the reader’s attention, and then make the reader ask questions whose answers only lie in the following pages. Some begin with a musing or a remembrance from the main character. Others employ the technique of beginning a story in media res, dropping the reader right into the middle of the action without any context or background. But all great opening lines make the reader want to continue reading.

So, with no further ado, I present to you my top 10 favorite opening lines from literature!

10) “If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.” The Catcher in the Rye, JD Salinger

9) “I’d always welcomed war, but in battle my passion rose unbidden.” Nightshade, Andrea Cremer

8) “A writer never forgets the first time he accepted a few coins of a word of praise in exchange for a story … a writer is condemned to remember that moment, because from then on he is doomed and his soul has a price.” The Angel’s Game, Carlos Ruiz Zafon

7) “There is no lake at Camp Green Lake.” Holes, Louis Sachar

6) “Blue Sargent had forgotten how many times she’d been told that she would kill her true love.” The Raven Boys, Maggie Stiefvater

5) “Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.” One Hundred Years of Solitude, Gabriel Garcia Marquez

4) “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” Pride & Prejudice, Jane Austen

3) “It was a bright cold day in April, and the clocks were striking thirteen.” 1984, George Orwell

2) “Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock struck midnight, and presents gave way to magic.” Kill Me Softly, Sarah Cross

1) “The man in black fled across the desert and the gunslinger followed.” The Gunslinger, Stephen King

Do you have favorite opening lines in literature? What do you think makes a successful opening? Leave you thoughts in the comment section below!

A Million Bad Words

You better get a-clickety-clacking.

You better get a-clickety-clacking.
Image via ilikeinnovation.com

This week, as I prepare to dig deep in order to revise my recently completed novel, I’ve been thinking a lot about craft. A writer’s craft, to be precise. I’ve read so many books and blogs and articles that all essentially say the same thing: to become a better writer, you must simply write. And write. And write some more.

The iterations on this conventional wisdom are endless. They say (whoever ‘they’ are) that all writers have one million bads words inside them, and only once they’ve all been written can true quality pour forth. In his book On Writing Stephen King states that ‘Writing equals ass in chair.’ Malcolm Gladwell’s book Outliers famously posits that everyone must spend ten thousand hours in practice of any given skill before they can reach excellence. But is that all it takes? Time and practice?

Like this...but not this. Image via Bill Watterson.

Like this…but not this.
Image via Bill Watterson.

Yes, I think that to be a writer, one must write. And write. And write. But I’m not sure that just setting down mediocre words on paper in the hopes that they will eventually transform into words of beauty is necessarily enough. Without the intention and the desire to improve, that metamorphosis will never happen. Our words are not caterpillars, destined to magically transmogrify into beautiful butterflies. No–as writers we must not only write, and practice, but also envision the change within ourselves, and manifest it in our actions.

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