creepy

Monster Mash Part III: Vampires

That's what friends are for!

That’s what friends are for!

Black clouds scud across the moon, nearly full. The chill breeze has a little…bite to it. A tap-tapping on the window startles you out of your slumber. Perhaps it is only a tree branch, shaking in the wind. Or perhaps it is something else? Someone else?

Pop culture may have remade vampires into sexy, brooding vegetarians, but Halloween reminds us that while vampires might be fangtastic, and know how to have a bloody good time, they are ultimately denizens of the night who enjoy violence and murder. So let’s sink out teeth into literature’s creepiest vampires…

1. Carmilla, Carmilla

Beautiful, languid, and mysterious, Carmilla insinuates herself into the lives of innocent young women, one at a time. Her mercurial moods and unsettling sexual advances distract her prey from her exotic tastes: the catlike monster that visits them in their nightmares and drinks of their blood is really her. Eventually, each girl wastes away and dies, leaving Carmilla free to find a new female companion. Best friends forever…or until you die.

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Monster Mash Part I: Ghosts

"Revenge my murder most foul!"

“Revenge my murder most foul!”

The end of October approaches–the days grow colder and darker and the leaves twist and scurry, pushed and pulled by chill breezes. But is it only the wind that taps against our windows and creeps beneath our locked doors? Or is it something more sinister, something that lurks in shadows and darkens our dreams?

With Hallowe’en less than a week away, I thought I’d tackle some of the creepier monsters in myth and legend, starting today with ghosts. The spirits of the dead are known to creep closer as November approaches, waiting for that time when the veil is thin enough for them to go wailing out into the night, bemoaning lives wasted and loves lost. With no further ado, here are six of the creepiest ghosts in literature.

1. King Hamlet, Hamlet

“Murder most foul!” Shakespeare employed ghosts as a device in more than one of his plays, but the ghost of Hamlet’s murdered father is by far the creepiest. He wanders purgatory with blood trickling from his ear, reliving his murder and demanding revenge. Later, he haunts his traitorous wife’s closet wearing only a nightgown. *shudder*

2. The Headless Horseman, The Legend of Sleepy Hollow

Supposedly a Hessian soldier hired to suppress the American Revolution who was beheaded by an errant cannonball. Every night, astride a demonic steed, the headless specter gallops through the streets of Sleepy Hollow with his severed head lashed to the pommel of his saddle. And beware to those who cross his path–he might subject you to the same fate that ended his life.

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Doppelgängers

Mirror, Mirror...

Mirror, Mirror…

Picture this: you’re standing in front of the mirror, brushing your teeth. Your reflection stares placidly back. A whistle from the kitchen startles you–you turn to look into the kitchen, and you see the noise is just the kettle going off. You turn your gaze back to the mirror, and in that instant, out of the corner of your eye, you are certain that your reflection has not moved. You lock eyes with yourself, but your reflection seems suddenly wrong. Are your eyes really so dark? Your chin so sharp?

But no. You tell yourself you’re just being stupid. Of course that’s what your reflection looks like–it’s you, after all. Isn’t it?

Maybe. Or maybe it’s your doppelgänger.

Although the German word doppelgänger, translating literally to “double-goer,” is a relatively recent addition to the vernacular, the concept of an alter-ego or shadow self appears frequently in the mythology and folk-lore of many world cultures. Although a physical lookalike or double of the person in question, a doppelgänger often takes the role of a darker counterpart to the self. In many cultures, it is said that to catch a glimpse of one’s doppelgänger is a harbinger of bad luck, and potentially an omen of one’s own death.

How They Met Themselves, by Dante Gabriel Rosetti

How They Met Themselves,
by Dante Gabriel Rosetti

In ancient Egyptian mythology, the ka was a tangible “spirit double” possessing the same memories and feelings as the physical counterpart. In some myths, the shadow double could be manipulated to perform tasks or duties while acting as their physical counterpart. In Norse mythology, a vardøger was a spirit predecessor, a shadowy double preceding a living person in location or activity, resulting in witnesses seeing or hearing a person before they actually arrived. And in Celtic mythology, a fetch was an exact, spectral double of a person, whose appearance was ominous in nature, often foretelling a person’s imminent death. The fetch could also act as a psychopomp, stealing away the soul of their living double and transporting them to the realm of the dead.

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